This Epiphone archtop came in for a setup along with a full fret level. The fixed-top archtop bridge also needed to be properly compensated to keep the flatwound strings playing in tune. During the final setup I found this annoying B note sympathetic vibration that was tracked down to the bridge tone cap physically vibrating against the pot. This was a first for me! Just glad I figured it out as rattles can drive you insane.
I'm pretty reserved in my tastes but this absolutely works for me! Well ... maybe not the jewels in the headstock but it's a recreation of a rare 1935 Bacon & Day Senorita S-6 guitar popularized by John Fahey. This had a few high frets over the body transition that were leveled out. This guitar sounds as good as it looks.
This guy was finally picked up after 2 years (!). I reglued the bridge, repaired a split in the headstock and glued up a loose tailblock-to-top seam. There was also a loose top brace and the undersaddle pickup was humming so it needed to be replaced.
Quick video originally posted on my snapchat (@chubbuckguitars) and shared to IG:
Another fret level in the jig since I have it out. Here's a new Epiphone Joe Pass model with some uneven frets. This needs a full level, crown and polish to get the action nice and low for this player.
A modern interpretation of a rare 1935 Bacon & Day Senorita S-6 in for some high frets in the transition over the body. This is the Stefan Grossman signature models. A very beautiful and unique guitar for sure.